Light instead of darkness, vibrant colors instead of austere black – Anthony Vaccarello once again redefines elegance in his latest collection. Saint Laurent Fall 2025 is a tribute to the timeless classics of the fashion house, but in a refreshed, modern version. This is a collection where tradition meets innovation, and the Saint Laurent fall total look radiates both strength and effortless ease.
Saint Laurent Fall 2025: strength and confidence
In the fashion world, where runway looks are increasingly bordering on costume or logomania, Vaccarello remains true to his vision. The Saint Laurent woman doesn’t need flashy emblems. Dressed in masculine-cut suits, slim ties, and trench coats from the Spring 2025 collection, she radiates confidence and a subtle air of mystery.
– “Darkness? No. Positivity.” – emphasized Vaccarello as he unveiled his most colorful yet elegantly simple Saint Laurent collection. No jewelry, no unnecessary accessories – just pure form, strong silhouettes, and a meticulously curated color palette.
The Saint Laurent Fall 2025 collection is undeniably a statement of strength and elegance. Despite a subtle loosening of the silhouettes, the collection has lost none of its edge. Vaccarello broke the drama of the finale dresses by giving them a touch of nonchalance. Fabrics were treated with a stone-wash effect, and models were draped in oversized leather jackets. Makeup was kept to a minimum, while hair was styled to look natural and slightly tousled.
Haute couture in a modern edition
The collection was inspired by haute couture from the 90s, and Vaccarello skillfully referenced these elements, giving them a contemporary twist. Crystal-embellished sunglasses added a touch of effortless glamour to the looks, while floral patterns coated with a silicone finish gained a modern smoothness and shine. Spectacular evening gowns, flaring out from the hips into full, dramatic skirts, retained their lightness without boning or stiffening. All thanks to the use of tulle.
Vaccarello constantly experiments with garment construction, achieving dominant shoulders in high-neck blouses, wedge-shaped coats, and simple dresses not through classic padding, but with modern techniques such as bonded layers or innovative fabrics with a sporty heritage. “ A few seasons ago, I would have panicked if the shoulder moved,” the designer admitted. “But now I wanted freedom, for the clothes to move with the body. So everything is more natural, more fluid.”